My process starts with some quick sketches. They're generally done to figure out basic composition of shapes and positioning.

The next two steps are shown here. A larger rougher sketch is made and put onto a light table so I can make a refined sketch on top of it. This sketch is scanned and enlarged to 16x20".

Bristol board is placed over the photocopy of the final sketch and the work is traced/outlined with ink.

Ink textures are added to the the line art to give detail. This is done the old fashion way with cut out masks from various materials. Alternative inking techniques are applied with various tools like a tooth brush, sponges and old ratty brushes. This is what gives the work it's special appeal. Computer can't give this unique touch that this old school way gives the work.

Detailed hatching and cross hatching as well as other techniques like stippling are added to the work. Sergio Toppi, Arthur Rackham, and Edward Gorey, Franklin Booth and Ian Miller are all artists that have inspired me in this area.

This is a detail of the art that shows the toothbrush technique sa well as some hatching and cross hatching techniques.

After the traditional drawing and inking steps, the art is scanned and brought into Photoshop for coloring with the use of layers. This allows for many coloring scenarios to be tested. A vintage paper background is added to help give it an old time look.

here is a section of the final finished piece.